Report: Networks meet to discuss 'East meets West' in Renaissance paintings

The exploration of a theme relevant to two SSN’s was a huge success in my view. Curators tend to work in their own area of specialism but this gathering provided a wonderful opportunity to gain an insight into other areas of decorative and art history. The knowledge gained may inform a future exhibition on Islamic Art (...)
— Delegate from Bradford MD Council, Museums & Galleries Service

All images from collaborative Study Day ‘East meets West’ © The National Gallery, London

I enjoyed the sharing of knowledge between specialists in different areas, to mutual benefit. I found the afternoon session focussing on a single painting particularly useful. The format of a conversation between two specialists in different areas (with contributions from other SSN members) worked well, and having the time to examine and discuss a single work in such detail was very enlightening. It was very interesting and thought-provoking to see how one Renaissance painting can reveal multiple stories of global trade and cultural exchange. I plan to look again at (our) European art collection to see if there are ways in which our paintings could be interpreted/displayed to draw out connections with the Islamic world and help to engage more diverse audiences.
— Delegate from Birmingham Museums Trust

On 16 January 2019 the Islamic Art and Material Culture SSN and the SSN European Paintings pre-1900 held a collaborative Study Day at the National Gallery to explore the depiction of Eastern objects in the National Gallery’s exhibition Lorenzo Lotto Portraits and additional examples from the wider Renaissance collection.

After a welcome by Dr Mary Hersov (National Gallery) and Dr Rebecca Bridgman (Curatorial & Exhibitions Manager at Birmingham Museums and Chair of the SSN Islamic Art & Material Culture) Professor Deborah Howard introduced the topic of the Eastern Mediterranean in Italian Renaissance art. A recording of this talk will be available via this website shortly.

Dr Matthias Wivel, Curator of Sixteenth-Century Paintings at the National Gallery, gave an overview over the life and work of Renaissance painter Lorenzo Lotto and the concept behind the exhibition Lorenzo Lotto Portraits , which delegates were then able to explore.

After the opportunity for more informal networking over lunch, Professor Anna Contadini and Dr Caroline Campbell accompanied the group to the Renaissance collections in the National Gallery’s Sainsbury Wing. Making the transition from entire objects, such as ‘Lotto carpets’, discussed in the morning to the extrapolation of details, the speakers highlighted the displays’ intention of making connections and developing narratives and drew the group’s attention to pseudo script evoking Islamic ornament visible on the Virgin’s veil in Duccio’s early 14th century triptych The Virgin and Child with Saints Dominic and Aurea (NG566). In front of Marco Marziale’s The Circumcision (1500; NG803) Anna Contadini and Caroline Campbell explored details such as inscriptions visible in the cupola, the patterns visible on the priest’s robe and headgear, the striking large lamp of a type predating Islamic examples but still used in Turkish mosques today, the pomegranate motif on the robe of the man on the far right and the patterned textile placed underneath the Christ Child. A delegate pointed out that the latter detail sends a clear visual message for Muslims today and evokes the traditional celebration of the birth of a male child. In a final discussion the multiple re-purposing of motifs depending on context and of the ‘staging’ of Islamic objects to help local audiences understand them and to acknowledge diplomatic gifts was touched upon.

Following the discussion of Marziale’s painting delegates were invited to continue conversations in smaller groups in front of other examples from the Gallery’s Renaissance collection and to finish the day with a complimentary visit to the exhibition Mantegna & Bellini.

Delegates who were not already members also took the opportunity to join one or both Subject Specialist Networks. Further information on membership is available here:

SSN Islamic Art & Material Culture:

SSN European Paintings pre-1900: Contact Form

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