Call for Papers: Eastern Questions: New Perspectives on British Orientalism
16 - 17 October 2019
A collaborative two-day conference at Watts Gallery – Artists' Village and Royal Holloway, University of London.
Please send submissions by 31 July 2019 to Abbie Latham, Watts Gallery – Artists' Village, email@example.com
To coincide with Watts Gallery – Artists' Village’s exhibition John Frederick Lewis: Facing Fame (9 July – 3 November 2019) this interdisciplinary event aims to explore new perspectives on the intersection between Orientalism and visual culture across the nineteenth century.
Alongside the Watts Gallery’s John Frederick Lewis exhibition, the collection of so-called 'uncomfortable pictures' at Royal Holloway (which includes Edwin Long's Babylonian Marriage Market) will act as a catalyst for wide-ranging debates around Orientalism's place within British scholarship today.
This conference invites contributions that explore the visual material of the Orient in the contexts of transculturation, imaginative geographies, and cultural border crossing in both directions. This event hopes to attract a wide range of perspectives and invites proposals from scholars in all sub-fields of the arts, humanities and social sciences.
Proposals are welcomed for 20-minute papers and in particular for the topics below:
The Orient in British painting, sculpture, photography, print, the decorative and applied arts or other media
British artist-travellers to the Middle East and North Africa in the long nineteenth century
Edward Said's Orientalism and its legacy forty years on
British imperialism, colonial histories and notions of the Orient
Networks of artistic production and influence among artist-travellers
Women as agents of empire
The construction and presentation of gender
The role and representation of Spain and European-based 'othering' as a precursor to travels to the East
The interrelationship between British and French Orientalism
The interrelationship between the Middle and Far East (including Chinoiserie and Japonisme)
Intersections between Orientalist painting, history painting and genre painting
The legacies of British Orientalist artworks in public and private collection
In addition to 20-minute papers, a series of pop-up debates will take place in the exhibition space. Submissions are invited for informal 2-3 minutes responses to the following key works in John Frederick Lewis: Facing Fame at Watts Gallery and the Royal Holloway Art Gallery:
John Frederick Lewis, In the Bezestein: El Khan Khalil, 1860, watercolour, Blackburn Museum and Art Gallery
John Frederick Lewis, In the Bey's Garden, 1865, Oil on panel, Harris Museum & Art Gallery, Preston
Edwin Long, The Babylonian Marriage Market (1875) Royal Holloway
David Roberts, Pilgrims Approaching Jerusalem (1841) Royal Holloway
For 20-minute papers, please submit abstracts of 300 words and biographies of no more than 100 words. If you would like to be a respondent in a pop-up discussion, please submit proposals of 150 words and biographies of no more than 100 words.
This event is kindly supported by the British Art Research School (BARS), University of York and the Association for Studies in Egypt and the Near East (ASTENE).